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This is my blog, and it is dangerous. Do you think I want to die like this?





Showing posts with label movie summary. Show all posts
Showing posts with label movie summary. Show all posts

Tuesday, December 6, 2011

Bridesmaids

Well, here we all are, about to read another one of my shitty movie summaries.  I'm finding it hard to muster up any type of feelings, in either direction, about this film.  I know almost everyone was cuckoo for Cocoa Puffs about how freaking hysterical Bridesmaids was and how it was the work of a group of really funny women, but I gotta say - I don't really give a shit.  I'm not going to judge any movie based on it being  "funny, for a girl".  That's bullshit. 

So, here's another play-by-play - now, there will be spoilers, but really, even if you haven't seen it, you've seen it.  Trust me. We've all seen this, albeit perhaps with less fecal splatter.

*****

This flick jumps right in with both buttocks ... Ted (Jon Hamm) & Annie (Kristen Wiig) are having embarrassing sexual relations.  Afterwards, they decide through the powers of conversation that they're not in a relationship. This makes me want to turn around and punch myself in the ass.  She leaves, mercifully.  Why can't I?

Annie and her best friend Lillian (Maya Rudolph - who looks like absolute rat shit anymore, what the hell) steal an aerobics class then eat lunch together, talking about how shitty men are with spinach in their teeth.

It seems that Annie's bakery business (CakeBaby) has failed and she now works in a jewelry store, yet when a young couple comes in to purchase an engagement ring, she heaps depressive abuse upon them.  I think she's confused - this isn't a Thanksgiving dinner, it's a place of business.

Lillian has become engaged and informs Annie in the most original way possible - by boring the shit out of me.  Then, Lillian offers Annie an apple and asks her to be her maid of honor.  Well, at least that was different.

Lillian's engagement party is mega frou-frou fancy.  The bridesmaids are: Rita (Wendy McLendon-Covey), Becca (Ellie Kemper), Megan (Melissa McCarthy), and Helen (Rose Byrne) - she's a horrible, fancy bitch. We really don't like her. Try to remember who everyone is, because I am not going to repeat myself unless I took too many muscle relaxers.

During the toast to the happy couple, Helen is claiming to be super best besties with Lillian. This won't do at all, since Lillian and Annie have been friends since childhood, so Annie is forced to publicly piss a circle around Lillian. Helen retaliates with her own stream by speaking Thai in an attempt to prove she is, indeed, a closer friend of the soon-to-be bride. Annie counters by speaking Spanish - something about a blue house and a school, I think. At this point, they're down to staring, which inevitably leads to singing. Dueting, actually - That's What Friends Are For.

On the way home from the party, Annie is pulled over and given a sobriety test by Officer Nathan Rhodes (Chris O'Dowd).  She chooses to prove her sobriety by performing a strange and almost distressing dance.  The adorable, accent-bearing cop doesn't give her a ticket for her broken tail lights.

Helen and Annie meet at a country club where Helen's stepchildren cheerfully abuse her.  Then they have another contest over who's a better friend to Lillian. Both of them win and lose concomitantly, is my decree. Then, Melanie Hutsell pukes onto the screen and I brace myself for impact. Seriously, just her face makes me want to harm myself.  There's a tennis doubles match, and they pelt Helen with tennis balls all slow-mo, ho.

The bridal party meets to go dress shopping. Annie takes the bridesmaids to a Hispanic restaurant of some description and attempts to plan the bridal shower and bachelorette party, but Grandiose Showyface & Annie are too busy waving their dicks all over the place, so nothing ever gets settled.  I know, I know - again, this isn't Thanksgiving dinner, y'all. 

The dress shop is unbelievably snooty, which is of course why everyone gets food poisoning at an unprecedented speed and severity. What follows is something I will not repeat, but I will say it was pretty funny, for a girl (not really, unless maybe you're my mother or Bunny Walker).

God dammit, Annie is having intercourse with that raging jackass Ted again! He refuses to attend Lillian's wedding with her, because he's made entirely of discarded foreskins.

Annie sees the charming cop again, but because she's too stupid to live, doesn't realize how great he is, even though they share carrots on the hood of his squad car.

Annie tries to convince everyone to go to a nice, reasonable lake house for the bachelorette party, but the bridesmaids don't want to do anything but Vegas.  Which is a really odd choice for Frilly McDebutante, but it seems like a plot point, so let's just go with it.

They board a plane en masse, which sounds like a crack about Melissa McCarthy's tush, but I'm way too tired for that type of shenanigan at this point.  Annie is terrified to fly, so Splendid McGrand-Blouse hands her some pills to make the whole ordeal go more smoothly.  Annie happens to be sitting next to someone who's even more freaked out, which really lifts her spirits ... not to mention, the highball glass of scotch has really helped the pills along, so Annie is now free to move about the cabin.

What happens next is a flustercluck of  "oh, come on." which makes less holy sense than a game of Mad Libs - suffice it to say it ends in them all being removed from the plane and never getting the chance to suck on their cockenballs lollipops or hop around in public on their air-filled phallus. Devil!

Since the mid-air debacle was clearly all Annie's fault, Lillian goes right ahead and puts that Richie Snobblehead in charge of her bridal shower.  How nice for her. 

Annie finally goes out on a date with the cute cop. In a phrase, she hits it and quits it.  Damn you for making me say that, movie.

At work, Annie gets fired for calling a teenager a cunt. Honestly, it's the best thing I've seen her do.

The bridal shower appears to be P-themed: pink lemonade, pony rides, puppy favors.  Sterling LeSpoonmouth gives Lillian a trip to Paris. A fucking trip to Paris.  Annie finally flips. Thank god. Lillian and Annie throw down, while the very angels cheer.

On her way home, Annie gets into a wreck (she hits a porcupine, how rare).  Her delightful cop friend arrives on the scene and yells about her tail lights.  It's at this point that she falls into levels of depression only fixable by Megan coming by with half a dozen party puppies to tell her to stop being an asshole, along with a montage of I'm-screwin'-my-head-on-right-and-no-one-is-tellin'-me-it-ain't scenes.  Ah, bless.

But what's this? The cop is no longer interested in her, and not even baked goods will change his mind.  It's okay, I think I've seen this movie already, I'm pretty sure it will all work out in the end.

Dainty von Sophisticate visits Annie because Lillian is missing.  They ask the handsome cop for help but first have to commit a series of inane crimes to get his attention.  They almost immediately discover that Lillian is actually just at her apartment.

Turns out Helen (I'm tapped out, y'all) made the wedding too expensive for Lillian's father to afford and now she realizes that this stupid wedding sucks without her bestest for reals best friend.  What a shock and just in the nick of time.  Let's get hitched before I fall into a coma.

Wilson fucking Phillips sings Hold On at the wedding.  They might as well, I suppose.

Annie gets the cop and I get the satisfaction of wasting my time somewhere other than the internet.  Until now.  Ah, shit.

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Tuesday, October 18, 2011

Carnival Magic

So ... it starts like this: once, late at night, Husband and I stumbled upon what we felt at the time had to be one of the weirdest, most deliciously fucked-up movies we'd ever seen - and we've seen The Room, several times.

Apparently, we'd just stumbled upon the climax, and did not yet understand the levels of boredom to which we'd be brought ... to.

Carnival Magic. If I was going to recommend this movie to someone, I would definitely tell them to skip past the first hour (because the plot is irrelevant) and drink a whole lot while you're skipping ahead. From that point on, drink every time you think something is both boring as shit and weirder than a talking turd spanking a bowl of fruit.

Here are the notes I took while watching the movie:

Elvin Feltner presents. I heard this was a movie for the whole family, so I'm ready for a nice, wholesome, lily-white presentation and I will accept nothing less.

It opens with a carnival scene (a little on-the-nose?) and some scantily-clad, busty dancers gyrating shamelessly in front of some children. I think they might have disco fever, but I'm only basing this on the "disco fever" sign that's posted behind them.  It could be a ruse.

A child yells at the carnival's PR man, David (Howard Segal), for not bringing in more people to the carnival, but dammit, Jim - he's not a magician. This is probably why the movie wasn't called Carnival Press Releases.

Apparently, the magician is Marcov (Don Stewart) and he likes talking to the animals.  "Yes, Nepal, we all have our cages - some without bars." "Sleep loosely, my friends."
 
I think what I'm looking at now is a lion tamer named Kirk (Joe Cirrulo), who doesn't like Marcov talking to his cats, threatening to leave the carnival if Marcov won't quit discussing philosophy (or the best place to get a fro yo?) with his lions. 

The carnival owner, Stoney (Mark Weston), stands lamenting to himself - aloud - about carnival life.

Some people mumble to each other about something ... a watch? Bills? I already have stopped caring.

Marcov walks and talks in the darkness with an unseen companion. Who could it possibly be?! Oh, it's a chimp named Alex, wearing people clothes.  I should have seen that coming, along with the fact that the chimp talks.

"What's the story?" asks the chimp.  No idea, dude. None.

A breathless tomboy, Ellen (Jennifer Houlton), convinced that this talking chimp will save the carnival, crosses fingers on both hands, for luck, as some unseen business happens in a trailer with two men and a chimp.

The soundtrack is always too romantic or too dramatic.

Now it's time for something actually carnival-related, and I've never seen anyone breathe fire as awkwardly or stiffly as Marcov in the whole of my life.

We've decided that Marcov = Dr. Oz.

It appears to be Surly Senior Citizen night.

OH brother.

God, this is painful. This conversation is taking way too long.

Now, the chimp is joyriding with a girl who had been asleep in the backseat, to the soundtrack of banjo music.  I think he's taking her away to sexually assault her.

High speed chase so boring, I took a nap.

The chimp ends the chase by crashing into a roadside produce stand whilst smirk-belching, "Fruit salad!"

Dr. Oz does push-ups while the chimp gooses him and the tomboy baseballs and mudpies in while climbing a tree.

Every conversation takes too long and accomplishes fuck-all. These people should knit while they converse, that carnival would be rolling in scarves and afghans.

I think something romantic is happening. I mean, two people just drove off in a van. If forced at gunpoint, I might say that the tomboy is about to become a tomwoman - but there is no gun here, and I will never say that.  Do not even request it.

A scientist, Dr Poole (Charles Reynolds) wants to put his science-y fingers upon the chimp for the purposes of harmful contact at his own lab. He didn't come out and say that, it was just something I saw in his eye. The left one.

This bad voice over for the science guy is the best thing about this movie so far. Long life noodles, science guy!

The chimp sounds like a Gremlin burping all its words.

Okay, something is actually happening now - the cat guy is conspiring with the science guy to make the chimp experimental.

Back to more carnivalating, Marcov does some tricks that involve a whole lot of long pauses and much quiet straining.

This is a good time for a business hug.  Trust me, I have a trained eye for this.

Oh my god, the cat guy spilled red Kool-aid all over his gaping chest wound! When it rains it pours cherry-flavored catastrophic injury.

Tomboy wants to wear a dress, man. So she gets engaged to the PR guy and wears the hell out of some dresses. This is why you always don't get in a van.

Kirk's cats and Kim's (Diane Kettering) clothes are gone!  AT THE SAME TIME.  Maybe now we'll find out if they're aren't, in fact, the same thing.

I just had to ask husband what that noise is, and he informs me that it's the music.  Suuuure it is, Bean Burrito.

The chimp undoes the bike lock and chain (probably a metaphor for bike safety) which is wrapped around him. "Oooh, where nurse?" is the first thing he wants to know.  This is one horny chimp.

Dr. Oz shirtlessly broods, until I start having an acid flashback. How painful can shirt-wearing be?

Now the chimp is wrasslin' with a basket ball player and an orderly, until sedated by the science guy. Could you ruin less, science guy?

I think the chimp is willing himself to die. I'm smelling what you're burning, chimp.

"It's the world's only talking chimpanzee - I've got to kill it!" - husband just exclaimed.

Okay, so now EVERYBODY has gathered down town to look for the chimp.

The owner of the carnival calls all carnies with unintelligible shouted words to assemble at the address that Dr. Oz choked out of the cat guy.

The chimp finds a bottle, helpfully labeled "poison".

The carnies converge - a pretty large clump - and advance on the house, crouching and skulking in broad daylight to sneak attack - in the harsh light of day - the laboratory. It's a well-known fact that squatting is the new camo.

Hey, a little person.  Anyway, they find the chimp, who is whimpering lethargically next to a bottle of "poison".  Carnival owner punches the science guy.  Who cares, really, at this point.

Dr. Oz gets in an ambulance with the chimp.  They head straight to a people's hospital where he is given priority emergency care. They shock the chimp. Because they can.  It kills him.  Probably.  Am I still watching this movie?

Mark Twain?

Dr. Oz's love revives the chimp.  A happy ending.

But first, Dr. Oz kisses some teenagers in the street. God, I hate parades.


Don't push these buttons, just guard them.
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Sunday, October 3, 2010

Splendor in the Grass (a summary)

It's a time when people who lived in multi-story houses and slept on gorgeous wooden sleigh beds were "poor" and oil tycoons were one-dimensionally (and all at once) limpy, loud and boisterous ... when young women lost their minds because their boyfriend wanted to sleep with them - and as a result of needing to say "we mustn't!" one too many times, threw themselves in a river ... when a quick dip in the water could leave you on death's door ... when people had long-term stays in sanitariums because their home lives were unsatisfying ... when a boy from Kansas had never heard of something called "pizza", and a girl in Connecticut didn't know where Kansas was.  Also, Phyllis Diller.

I should have hooked up my VCR and watched Dune again.  That would have made more sense.
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